1955 - 1956

Kiss Me, Kate

Cole Porter was once asked who had written "Some Enchanted Evening". "Rodgers and Hammerstein," he replied, "if you can imagine it taking two people to write a song!" This was the essence of Cole Porter: witty, a little cynical but a master of the chic cocktail party retort and the irreverant sophisticated lyric. In the 1930s he attempted to perpetuate the glamour and sophistication of the twenties. When other Broadway writers were reacting to the Depression and incorporating social comment in their shows, Porter's response was to set "Anything Goes" (1934) on a luxurious cruise ship. It was one of his most successful productions and continues to enjoy numerous revivals. But during the mid-forties, he had three failures in a row. Thus, when Bella Spewack came to him with the idea for "Kiss Me, Kate", his initial response was "I don't think I could do it". He was finally convinced and went on to produce not only his most memorable score but his longest-running hit (1077 performances). The idea for the show began germinating in 1935 when producer Saint Subber, then a stagehand for the Theatre Guild's production of "The Taming Of The Shrew", became aware that its stars, Alfred Lunt and Lynne Fontanne, quarreled in private almost as much as did the characters they were portraying in the play. "Kiss Me, Kate" takes place backstage and onstage at Ford's Theatre in Baltimore, from five P.M. to midnight during one day of a tryout of a musical version of "The Taming of the Shrew". In the plot, egotistical actor-producer Fred Graham and his temperamental co-star and ex-wife, Lille Vanessi, fight and make up and eventually demonstrate their enduring affection for each other -- just like Shakespeare's Petruchio and Kate. A subplot involves Lois Lane, whose romance with actor Bill Calhoun is complicated by Bill's weakness for gambling. The personal interrelationships of these actors make for delightful fun and are eventually resolved during the somewhat chaotic opening night performance of the Shakespeare classic.

Dramatic Director: Michael McKay

Musical Director: E.J. Robbins, L.G.S.M.

Choregraphy: Nesta Toumine


Ann Turcotte

Specialty Singer

Audrey Jordan


Barbara Wills


Bob Rivoire

Cab Driver/Troilus

Daisy Mae Checkley


Don Wheeler

Harrison Howell

Douglas Johnson

Bill Calhoun/Lucentio

Eileen Mahoney Wright

Lilli Vanessi/Kate

Eileen Parks


Grant Wheeler

First Man

Greta Jensen


Hugh Petrie

Harry Trevor/Baptista

James Harker

Gremio (1st suitor)

John Clarke

Hortensio (2nd suitor)

June Pritchard


Kevin Conlon


Kirk Jones

Second Man

Nick Michelis


Percy May

Stage Doorman

Philip Wiegand

Fred Graham/Petruchio

Raymonde de Celles

Lois Lane/Bianca

Tim Hynes



Al Hussey

Business Manager

Christine McCulloch Allan


D.M. Checkley

Assistant Business Manager

Douglas Johnson

Programme Design and Layout

E.J. Robbins

Musical Director

Frank Hamilton


Lorna Rowebottom


Mary Barrette


Michael McKay

Artistic Director

Mildred Ker


Nesta Toumine


Ronald M. Craig

House Manager

Ruby Rutkowskey

Social and Entertainment

Ted Hothersall

House and Maintenance

Tim Hynes

Stage Manager, Workshop Chairman

W.E. Fancott

Scenery Director

Winifred Canty


© 2019, Orpheus Musical Theatre Society 

A not-for-profit registered charity
No. 11907 0415 RR0001

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